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Scott Jurek’s Champagne Problems
The ultrarunner set a new record on the AT and found himself at the center of
a debate about how we should use the wilderness
Scott Jurek applies lotion to his feet before running the McAfee Knob
Trail on June 11. (AP)
Grayson Schaffer
Grayson Schaffer
__________________________________________________________________
Jul 20, 2015
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Last week, ultrarunner Scott Jurek set a new record for through-hiking
the Appalachian Trail, finishing in 46 days 8 hours and 7 minutes. When
he reached the summit of Maine’s Mount Katahdin—whose 5,269-foot
summit sits within a state-administered wilderness area in Baxter State
Park—he popped the cork on a bottle of champagne, NASCAR style. His
supporters were there to greet him. So was a ranger with a summons for
violating park and wilderness regulations—specifically being up there
with a group of more than 12 people (at least 35 were visible in one
photo at the finishing party), drinking (the champagne), and littering
(the champagne hitting the ground). A reporter from the Portland Press
Herald did a nice job detailing the specifics after everyone else
missed it.
Jurek had just shuffled 2,200 miles—nearly 50 per day—and probably
deserved a little slack for where his champagne foam splashed. But
that’s not the point that Baxter Park Director Jensen Bissell was
really trying to make when he cited Jurek. The citations were about the
commercialization of the wilderness, and Bissell had at least 46 days
to ponder his meeting with Jurek. “With all due respect to Mr. Jurek’s
ability,” Bissell later posted on the park’s Facebook page, “Baxter
State Park was not the appropriate place for such an event.”
On their face, the citations may have seemed heavy handed and, well,
dickish in their aim to sully a hard-won feat. After all, if we spend
even five minutes worrying about Jurek, that’s outrage we won’t be
using to contemplate Shell’s arctic drilling, a new Big Creek mine and
road into the Frank Church Wilderness, overgrazing in the arid Gila, or
a proposed gold mine threatening the Yellowstone River in Paradise
Valley, Montana.
But Bissell’s stand against Jurek is useful as a conversation starter.
It gets at a larger debate that’s taking shape over the
commercialization of wilderness by professional adventure seekers and
content creators. A few months ago, I wrote a story about how people
were getting into trouble for failing to get permits for photography
and filming that were later deemed to be commercial. Jurek’s highly
publicized and sponsor-heavy run represents a different kind of
commercialization, but one that is also on the rise. Ten years ago the
term “professional athlete” was used to describe somebody who was paid
to play organized sports, not somebody who was an employee or
contractor for the marketing arm of a gear company. Now athletes have
their own social-media bullhorns—Jurek has 162,000 fans on Facebook—to
promote both their own exploits along with the messages they’re paid to
deliver by sponsors.
Bissell, knowing that he’d come under fire for peeing in Jurek’s punch
bowl, wrote a long explanation of this particular violation in his
post.
Let’s be clear and concise, Scott Jurek's physical abilities were
recognized by corporations engaged in running and outdoor related
products. The race vehicle used to support Scott in his run, as well
as Scott's headband, clearly displays these corporate sponsors. The
sponsors are providing money and equipment to support Scott's run in
exchange for advertisement and engagement that they expect will
protect or increase their market share and improve their profits.
Included in this exchange are media companies such as “The Game
Changers, LLC” of Laguna Beach CA, who were hired to capture video
and photographic coverage of Scott's run to enhance the
opportunities for commercial benefit from his run.
When Scott arrived at Baxter Park to complete his run at the
northern terminus of the Appalachian Trail, he brought all of this
to Baxter Peak, in Maine's largest wilderness.”
Scott Jurek’s champagne problem is one that every athlete, personality,
adventurer, photographer, and filmmaker needs to pay special attention
to. As wooded areas continue to get more crowded, citations for
unauthorized commercial use are going to become more common and get
issued for lesser infractions.
It’s yet another case of the strange hypocrisy of public lands that
we’re all trying to navigate. On one hand, we’re constantly being
told—by authors like Richard Louv and office holders like Interior
secretary Sally Jewell—that more people need to get out and experience
nature. And on the other, when people actually do get out, they trample
everything, as in Denali National Park where rangers recently asked
people not to post GPS tracks of their off-trail hikes for others to
follow.
Part of the difficulty is in understanding the difference between parks
and wilderness. For the uninitiated, wilderness is the highest form of
protection the government can use to designate a tract of land.
National Parks are called the crown jewels of American preservation,
but in practice they tend to serve more as flypaper to keep the masses
out of the wilderness and on paved scenic loops. In many places, there
are wilderness areas within national and state parks in addition to
more developed front country areas.
In his essay “The Abstract Wild: A Rant,” Outside contributor and Teton
mountain guide Jack Turner lamented the sorry state of national parks:
“It results from carefully crafted management plans that channel the
flow of tourists according to maximum utility—utility defined by the
ends of entertainment, efficiency, and resource preservation. The
problem is not what people do in the parks, but what they are
discouraged or prevented from doing. No one, for instance, is
encouraged to climb mountains, backpack, or canoe alone. Hikers are
discouraged from traveling off trail, especially in unpatrolled areas
with difficult rescue.” And at the same time, traffic jams in Arches
National Park this spring sparked a serious conversation about whether
the park should require reservations for all arriving tourists. (But,
alas, still no serious talk of unpaving the roads, replacing them with
a Mall of America–sized parking lot at the entrance, and requiring
everyone to walk, jog, or ride a bike inside the park boundaries.)
Wilderness is different. And the battle between Jurek and Bissell
illustrates the ambivalence we all feel about it: Wanting more
adventure in wild places—real adventure, not canned and shepherded
package tours and commercial trips. Wanting to test ourselves against
an unfeeling landscape. And at the same time hoping that we’re not
ruining the place or commodifying it by our very presence. All that
hand wringing leads us to the current question: Should a sponsored
athlete like Jurek be required to file for a special-use permit before
he undertakes an adventure that’s arguably commercial in nature? By
Bissell’s logic, he should. But depending on your viewpoint, he’s
either ahead of the curve or out on a limb.
Last winter, when Tommy Caldwell and Kevin Jorgeson completed their
Dawn Wall project on El Capitan—in a federal wilderness area, in
Yosemite National Park—it was a huge climbing milestone. It was also
one of the most valuable marketing coups in the history of adventure
sports. Faster than Super Bowl championship caps are printed,
brown-paper shopping bags cropped up at REI stores printed with images
from the Dawn Wall. There’s a Dawn Wall movie in the works. Dawn wall
pint glasses. American Alpine Club Dawn Wall commemorative posters.
Caldwell and Jorgeson’s sponsors, including Patagonia, Black Diamond,
Adidas, and others, will collectively build many millions of dollars
worth of ad campaigns around this one event.
The rangers at Yosemite, for better or worse, gave Caldwell and
Jorgeson a very different reception than the one Jurek received in
Maine. No citations were issued.
“For the Dawn Wall, we treated it as a breaking news event,” Yosemite
spokesman Scott Gediman explained to me in an email. “To that end,
there were no permits for the climb or the filming. There was news
filming, of course. And other filming as well. Climbing, as a rule,
does not require a permit. Therefore, we’re good with everything that
Tommy and Kevin did. We just wished them congratulations when the came
down, and we (NPS) facilitated both the news conference and the
interviews. This, too, had its own set of ‘challenges’ that we worked
out. But, again, nothing that Kevin or Tommy did violated any rules.”
There’s a real question of whether sponsorship is tantamount to
commercial use. It’s bigger business for gear brands than any guiding
outfit or gift shop. It’s also a huge pain for individuals, most of
whom live hand to mouth, and can barely balance a checkbook let alone
navigate a federal bureaucracy. When I’ve produced commercial shoots,
I’ve found the process mostly frustrating but occasionally easy to
navigate when we’ve used a professional location manager. It all makes
me wonder: should the next Dawn Wall climbers get a permit? Should a
kayaker file for a permit, even if he’s only filming with a GoPro?
Should Scott Jurek file special use permits with each of the federal
and state agencies that manage land the Appalachian Trail traverses?
In Jurek’s case, his camera team did file for film permits in Baxter
State Park but were still issued a separate citation for filming within
500 feet of the summit of Mount Katahdin, a theoretically more
sensitive area they were not supposed to enter.
One person who’s thinking about the paradox of loving wild places to
death is Alpinist founding editor Christian Beckwith. He recently
launched a thought conference called Shift that aims to get recreators
to think harder about the impact they’re having on wild places. At this
summer’s Outdoor Retailer Trade Show, his group plans to issue a
seven-point framework document called “The North American Model for
Recreation and Conservation.” It’s an acknowledgement that, at least
around Beckwith’s home in Jackson Hole, there are probably too many
people in the woods.
Another group that’s thinking about commercial use in wilderness areas
is the U.S. Senate. The current draft of the Sportsmen's Act of
2015 contains language that would allow film crews of five people or
fewer to purchase annual commercial filming permits good on all federal
land that’s otherwise open to the public. Wilderness Watch, a
conservation group based in Montana, recently sent out a newsletter
warning its supporters that the bill, if enacted, would open the
wilderness to rampant commercialization.
I’m torn. I think we could use more bikes and fewer cars in the
front-country areas of national parks and forests. More ultrarunners
and fewer pack trains and cattle herds in the wilderness. But even
though I know that the adventure-sports world is full of well-meaning
idealists who would give their limbs to save the world, I also know
that commercial use is commercial use. It’s relentless. It does not
turn back or make other plans when it rains. It does not suffer the
tree limb that stands between the tripod and the beautiful waterfall.
And it does not stop 500 feet shy of the summit.
Filed To: Athletes / Ultrarunning / Nature / Politics
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