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A Life in American Music

Virgil Thomson believed that the German influence on American composers such as Ives, MacDowell and Chadwick was toxic.

The heyday of American classical music occurred around the turn of the 20th century, when most everyone involved assumed that American composers would create a native canon and that American orchestras in 2016 would play mainly American music. This vibrant fin de siècle moment also marked the apex of classical-music journalism in the United States. In New York, the most estimable critics were W.J. Henderson of the Times, Henry Edward Krehbiel of the Tribune, and the ubiquitous James Gibbons Huneker. All were active...

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