Coming along in the season of Renée Zellweger and J-Law, Lisa Kudrow's
Hollywood satire is more relevant than ever.

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What I particularly like about the new season is that it de-emphasizes
what I thought was worst about the original–the
shooting-fish-in-an-aquarium reality-TV satire–and builds on what was
best: Lisa Kudrow’s microcalibrated performance, and its cringe-making
yet sympathetic depiction of an actress, now around 50, trying to make