8-   of arriving at musical representations of DNA multiplied. The present
9:   paper offers a new approach that concentrates on the element of rhythm.
10-   Most musical interpretations of DNA to date have been concerned with
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87-   expressed linearly in opposite directions in a four-base stagger --
88:   will constitute a rhythm engine. These conditions may be applied
89-   equally to molecular processes or musical ones.
90:   Furthermore, the energy applied to make a rhythm engine run (ATP in the
91-   case of DNA, mechanical energy in the case of music) may vary, and
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110-   process.
111:   Perhaps the chief virtue of the rhythm engine, and its attending energy
112:   profile, is its adaptability. A set of rhythm engines based on close
113-   observation of DNA dissociation holds out the promise of generating